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BASE jumping in Australia | |
- Pulp Magazine- New Zealand "The initial second is just weird, you are in free space, the wind starts to pick up, your speed starts to pick up and the noise starts hitting your ears and you just get an intense churning feeling in your gut throw the pilot chute and that's the most intense few seconds and, I think, that is the most intense feeling that you can ever experience, just waiting for the pilot chute to catch to pull the canopy off your back."
As the sun begins to rise,
so do our spirits. The wind is dying, and the first light makes it possible to
see the landing site, small, tight and impossible looking. Heath is rigging up,
checking his pack, zipping up his jump suit and breathing deeply. I nod and climb over some rocks to set up for a photo of the take-off. I always get a vicarious high watching someone jump off an object. That instant where they start to lean over the edge, committing themselves; you are there with them for a moment sharing that surge of fear as they begin to fall, until it becomes abstract and then you are just a photographer again, and you begin to hear the motor-wind again, stumbling out of the enveloping silence of adrenalin. Heath walks warily up to the edge and throws a few pebbles over to check the wind. I watch as he closes his eyes. The Edge. Hunter S. Thompson said, "There is no honest way to explain it because the only people who really know where it is are the ones who have gone over." He looks at me and tells me ten seconds. Three seconds later, he jumps. Arched, he falls close to the rock, sliding down the face at somewhere around 32 ft (9.8m) per second per second. Gaining speed, he starts to track away from the cliff just faster than the cliff rises out to meet him. It is a long 8 seconds of freefall, bringing his speed up to more than 150km/h before he pitches his pilot chute. A resounding 'whoomp' can be heard as the main chute is dragged from his back and fills with air. A second later he is gliding down to the landing zone in long, slow arches under a cloud-blue canopy. Now it is a harrowing wait at the car as he makes the two-hour long hike out. I go over the story in my head in case a ranger should appear. We're lucky this time. We fishtail down the gravel road smiling, both still buzzing from the jump, and I was sitting at the top the whole while. After many miles, we talk to
ease the burden of the road. Tough
circumstances. BASE stands for Building, Antenna, Span & Earth. The four elements
in a twisted periodic table of fear, denial and fastidious parachute packers.
Heath has jumped all four elements of BASE, and more. Whenever a person does all
four, he is granted a BASE number. There are around 700 in the US and 76 in Australia.
It is not a sport for the masses. Another
few hundred kilometres and we arrive at our destination
.an out-of-the-way
bridge with just enough clearance to jump and live. Again, Heath checks over his
gear as one should when it is all that is separating you from a 100% certain death.
He climbs the railing precariously and jumps without looking back. I stay long
enough to watch his chute unfurl majestically before turning to run away from
the scene of this decadent crime scene. As we meet at the car, a local pulls up
in his ute. He hangs his sunburned head out of the window long enough to let us
know that a commuter just called in a bridge suicide on the police radio. BASE is about pushing your own envelope. It is about making life exciting, living in that atmosphere where every second, every decision is life and death. "You decide what you want to jump," Heath explains, "You set your own limits. You don't have all the bullshit regulations that come with skydiving," and of course, you don't have any insurance either. "Some
people just are not mentally prepared for it. Even skydiving, which is like a
walk in the park, its mundane compared to BASE-jumping; people get overwhelmed
in that when they have line twists at two and a half thousand feet in the air."
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